- #FCPX COLORIST VS COLORFINALE INSTALL#
- #FCPX COLORIST VS COLORFINALE PRO#
- #FCPX COLORIST VS COLORFINALE PROFESSIONAL#
Render them at a higher quality (how high is up to you) and overwrite the clips in "Edit Media"
Once you're satisfied with your edits, go back into Resolve and perform the final color grades of the clips you wound up actually using in your video. Import those clips from the "Edit Media" folder into FCPX and perform your edits. A LUT is a Lookup Table that contains a mathematical formula for modifying an image.
#FCPX COLORIST VS COLORFINALE PRO#
The format and codec you use are up to you, but for editing I use 422 proxyĮnsure that you export your clips using the source filename and save to a folder titled something like "Edit Media" or whatever you'd like With the FCPX LUT Loader from Pixel Film Studios, editors can quickly and easily load a CUBE file directly into Final Cut Pro X to color correct or grade their footage without having to use another software. There are so many things that you can do with each program in much more detail, but I could share them. Apply a Blackmagic film to rec709 LUT and perform some basic gradesĮxport as individual clips. We do a side by side comparison of Color Finale and FCPX and some of their capabilities.Add all clips to my timeline (their order doesn't matter).I know there are ways to do this using XML, but I've run into issues with that when I segment a larger clip in FCPX and then bring it back to resolve it will then have each of those clips as individuals, instead of the one larger clip. This is my workflow, since I always shoot in RAW with the Blackmagic Cinema Camera. Both include return arrows next to most parameters to reset their values to the default, along with contextual pulldown selectors, and contextual menus (identified by three vertical dots).Use Resolve, it is far superior to FCPX for grading. These panels utilize an interface design language consistent with Final Cut Pro.
To apply Color Finale 2, drag the Color Finale 2 or Color Finale 2 Pro** effect from the Final Cut Pro effects palette onto any video clip, compound clip, title, generator, or adjustment layer (title effect) on the timeline.Ĭolor Finale 2 is divided into two sections - a control panel located in the Final Cut Pro inspector and a floating, resizable layer editing panel.
#FCPX COLORIST VS COLORFINALE INSTALL#
The user will not normally need to access this application - it is used to check for and install updates to Color Finale 2. It also installs a separate Color Finale application required to operate within the macOS framework. In addition to feature differences, Color Finale 2 Pro will also interface with Tangent hardware control surfaces.Ĭolor Finale 2 installs as a video effect filter (plug-in) into both Final Cut Pro and Motion. This guide may refer to some features only found in the Pro version, so consult our website for a feature comparison between the two versions. Apple's own Final Cut Pro X Resources page has a color correction section that lists a number of other color correction plug-ins available for the app. Color Finale 2 is available in both a Standard and a Pro version. There are number of good color grading tools for working directly in FCPX available from 3rd parties if you prefer staying in one app.
#FCPX COLORIST VS COLORFINALE PROFESSIONAL#
It surpasses the built-in color correction tools and turns Final Cut Pro into a professional grading solution. Color Finale 2 is a new color grading plugin for Final Cut Pro X. Many editors are working from home these days, so the team decided to leverage the frameworks for macOS and FCPX to enable remote grading in.
The Color Finale team has been on a quest to bring advanced grading tools to the Final Cut Pro X ecosystem with last December's release of Color Finale 2. Color Finale 2 is a color correction plug-in designed exclusively for Apple Final Cut Pro. With the FCPX LUT Cinematic Loader from Pixel Film Studios, editors can quickly and easily load a LUT file directly into Final Cut Pro X to color correct or grade their footage without having to use another software. High-end remote grading comes to Final Cut Pro X.
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